Leading Ladies of Fashion

One such leading lady is Diane von Furstenberg (DVF), named President of the Council of Fashion Designers of America (CFDA) in 2006, and well-known fashion designer. DVF began her legacy in 1970 with a thirty thousand dollar investment, and by 1973 was known for her revolutionary design of the “wrap dress,” which is on display in the Costume Institute section of the Metropolitan Museum of Art. After several decades of successful businesses, to include a cosmetic line, publishing house, design and marketing studio and home-shopping venture – DVF has created a line of women’s high-end apparel, and was also The International Center in New York’s Award of Excellence recipient. With such a long and distinguished career DVF is truly a leading lady in the fashion industry.

Wielding the command to make or break designers is an awesome responsibility in the fashion industry, and there are those who are of the opinion that the Editor-in-Chief of Vogue, Anna Wintour, has just such powers. Despite Vogue’s status as the top publication in prestige and circulation among fashion magazines, Wintour has chosen to use her powers for the positive and has brought the magazine to a broader audience by giving runway tips and mentoring struggling designers. “I have always believed that it is important to understand Vogue’s mission in broad and socially responsible terms,” says Wintour, who has spearheaded several functions creating jobs and benefiting charities. To wield such power for the benefit of others is why she has been chosen as one of our leading ladies.

Another leading lady of fashion magazines is Linda Wells, Editor-in-Chief of Allure. While most fashion magazines highlight trend setting runway designs and beauty tips, this powerhouse editor, from Greenwich deals with the hard hitting issues that women face in this day and time. “We were the first women’s magazine ever to write about the dangers of breast implants,” Wells states. “We did the first story on models who were addicted to heroin.” This revolutionary approach for a women’s fashion magazine has sky rocketed Allure’s circulation to award winning status from the advertising and publishing community. With an impressive career legacy which include (just to name a few) editorial assistant at Vogue, beauty editor for The New York Times Magazine, guest appearances on Oprah and “Entertainment Tonight” – her leading lady status is not at all surprising.

Our next leading lady of fashion has a reputation for being unique and groundbreaking in her knowledge of fashion, and her approach as editor-in-chief of Harper’s Bazaar. The notable Glenda Bailey, who also served as the editor of Marie Claire’s U.S. edition in 1996, after serving as the founding editor for eight years for the British Marie Claire in 1988, brought the magazine to such heights as to be awarded the status of Adweek’s Top 10 Hottest Magazines four years in a row. Along with three Magazine Editor of the Year Awards, five time winner of Magazine of the Year, and Amnesty International Awards winner twice, Bailey earned a fashion design degree from Kingston University in England. Awards of this magnitude are indicative of the formidable influence that this leading lady of fashion exhibits.

The last, but certainly in no way least of our leading ladies of fashion is Fern Mallis, Senior VP of New York’s IMG Fashion, one of the leading fashion event planners. She has earned this position due to her reputation by serving as Executive Director in 1993 on the Council of Fashion Designers of America, and as the organizational genius behind the first “Fashion Week” which was known as 7th on Sixth at that time. With her ability to coordinate eighty temperamental top designers with her pleasant and calm personality along with her ability to handle the paparazzi; such multi-million dollar events such as the Mercedes-Benz Fashion Week in New York is in the capable hands of this high-powered fashion trend setter. Fashion Week in New York is a defining event in the fashion world, making this multi-million dollar extravaganza a feather in the cap of our phenomenal leading lady Fern Mallis.

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Artistic Digital Photography – Bringing Pixels Alive

For years, photography aficionados have attempted to rebuff the ever growing influx of the digital age. Even today, many who consider themselves true photographers prefer manual cameras with traditional film. Yet an increasing number of artists have realized that the new technology of today can not only be used effectively for practical purposes, but can be used to create art in a new way, a way that would not be available but for our digital age.Of course, artistic digital photography, like traditional photographic art, takes a special kind of camera. That is not to say that amateurs cannot create art with a standard point and shoot digital camera, but rather, that those who are serious about digital photography as an art form prefer a specific type of camera: the digital single-lens reflex or dSLR. A dSLR is really nothing more than a duplication of the traditional manual version, the SLR. It operates on the same principles, with one obvious difference: where a SLR would have film, a dSLR has what is called an image sensor called a CCD or CMOS.But what makes dSLR’s and SLR’s different from other cameras in general? Well, a traditional camera makes use of an off axis viewfinder (mounted above or to the side of the actual image the lens “sees”) that can distort the image you see and want to capture, creating what is called “parallax”. With an SLR, this is remedied by using an internal prism to project the same image seen in the lens up and onto the viewfinder, by passing the parallax distortion that occurs in other cameras. Because artists have generally preferred the accuracy of SLR’s, the inception and growing adoption of their digital counterparts has made artistic digital photography spark from an ember to a roaring bonfire of popularity. Other advantages, artistically speaking, of a dSLR over a traditional digital camera include the manual functionality inherent in most models, and the speed.Enough with the technical banter. Put simply, as digital cameras swiftly become faster and allow higher resolution, their following in the artistic world grows. In fact, at this point in time, digital cameras are even beginning to surpass their manual predecessors, something that some traditional photographers can scarcely believe to be true.Of course, digital photography does have its downsides when compared to traditional film, but it also has its perks. The technological advantage on the digital side is greater than many believe. With digital image filters, special processors and incredibly powerful computer based editing tools, an artist can truly make pixels come alive in a whole new way with digital photography. With traditional film, an artist must spend hours in a darkroom, processing film and mixing chemicals in order to turn out the print that they are looking for. With digital film editing tools, the need for the complex development process is all but gone: a digital photographer need only upload his images to a computer and he is then free to edit them to his hearts content: cropping, light filters, rotating, highlighting, color spectrum adjustments, and layering as well as many more complex processes can all be done with the click of a mouse.Whether you are an amateur photographer who wants to make the most of their hobby or a professional artist who needs control, speed and accuracy as well as editing ability, artistic digital photography can turn simple images on an internal processor into stunning, compelling art. So what are you waiting for? Dive right in and start enjoying the freedom and power of digital photography and create the art you’ve always wanted to create.

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